Chef Christophe Philippe's new Bastille-adjacent restaurant Amarante, like the cacklingly under-designed eponymous restaurant he maintained for a decade in the shadow of the Panthéon, is open Sundays and Mondays, the better to cater to his principal clientele, his fellow restaurant folk. On any other restaurant's off-night, he entertains tastemaker regulars like food writer Bruno Verjus, Le Baratin's Raquel Carena and Philippe Pinoteau, and Autour d'Un Verre's Kevin Blackwell. When my friend and editor Meg Zimbeck and I visited last Sunday, we ran smack into our friend Thomas Legrand, formerly of La Muse Vin, now manning the decks at La Crêmerie. Philippe, lumbersome of gait and shy as a shoe, is the unlikely mascot of a certain very discerning milieu.
Why should this milieu particularly admire his cuisine, among all the others on offer in Paris' present-day cornucopia? Well, who but his fellow chefs and restaurateurs, those who endure the pressure to present an impression of novelty with each new restaurant and each day's menu, are as likely to have realised, like Philippe, that the search for novelty in cuisine is futile?
Philippe is among the few chefs courageous enough to live the implications of that realisation. At Amarante he offers the exact same pointedly-unfussy, rigorously-sourced bistrot menu and the same well-priced natural wine list as at his former establishment. Amarante is duly aglow with the same monkish sense of serenity and confidence, albeit with slighter better lighting, and a less hideous font on the windowpane.

