n.d.p. in andalusia: bodegas el gato, rota

On the surface, there appears to be no reason whatsoever for a wine traveler to visit Rota. It is the runt of the sherry towns, almost entirely overtaken, since 1953, by a vast American Naval base, whose 4000 or so American personal tend to favour beer over the regional wines. Guinness and Corona are as easily obtained as sherry in Rota, and all three drinks vastly outsell the town's helplessly unappealing specialty, a sweet wine in the passito / vincotto vein called Tintilla di Rota.

But Rota is where the Native Companion and I wound up spending a few days last summer. We were visiting our friend B, who works on the Naval Base there, and enjoys the perk of a splendid beachfront apartment. We duly beached it up, frozen margaritas, barbecue, and beer. It was almost as an afterthought that we paid a visit to Bodegas El Gato's unassuming despacho des vinos one afternoon, drawn as much by a sense of anthropological duty as by the psychedelic cat mural on the bar's exterior.

We peered into the retail area, which seemed to be shut, or staffed by small dogs. We noticed that the Bodegas El Gato's Fino hasn't the right to the Jerez appellation; the bodega instead bottles it as a vino de mesa (table wine) and refers to it, on their website, as a "Fino Andaluz." In the adjacent terraced bar, populated unanimously by older Andalusians, we nibbled some surprisingly affecting goat cheese, which we both found more memorable than the bodega's Fino Andaluz. But nothing prepared us for dinner that evening, when our friend B led us to Bodegas El Gato's bar, around the corner from the despacho. In a standing-room-only space, behind a long bar, beneath audible neons, its mugging, churlish chefs grilled up explosive chorizo sandwiches and crackling, curlicued shrimp, plates which, while costing next to nothing, collectively amounted to our favorite restaurant experience in the entire region.

n.d.p. in andalusia: bodegas gonzalez byass, jerez

Don't get me wrong: the Native Companion and I certainly appreciated our visit to Bodegas Gonzalez Byass, which occupies a seemingly Vatican-sized complex in the town's southwest. The canopied courtyards and echoing, dust-blackened bodegas of Gonzalez Byass are as awe-inspiring as any cathedral, and together comprise a truly resplendent monument to the region's historical significance.

Like other monuments, visitors can go on tours of Gonzalez Byass. There are even trains that take 300,000 tourists per year around the complex. This is what we wanted to avoid, of course, and we were very relieved when one of the company's sales directors agreed to meet us for a private visit.

Unfortunately, our visit was unrecoverably derailed by an extended, Kafka-esque scenario that arose with one of the bodega's doormen, who, despite repeatedly assuring us otherwise, proved unable or unwilling to communicate the message that we had arrived for our appointment. It was human error (his), but I mention it because it blighted the bodega's otherwise commendable hospitality in a way vaguely illustrative of the quality limitations inherent in such enormous, depersonalising enterprises.

n.d.p. in andalusia: casa bigote, sanlucar

What little information was available indicated Casa Bigote was among the best restaurants in Sanlucar. In our defense, Sanlucar is a coastal town in a relatively impoverished region. One feels there ought to be a splendid seafood place, and it ought to be right on the Bajo de Guia, as Casa Bigote is.

One's expectations begin to decline when, on a balmy night in early June, one traverses the bat-infested ruins dividing that section of the Bajo de Guia from the town proper to discover that the restaurants on the quay are quite deserted. Casa Bigote is almost indistinguishable from its neighbors: a sprawling, two-storied complex housing a bar and a restaurant on opposite sides of an small alley. We dined at the restaurant, which may have been a mistake. Perhaps the bar is best. Why else would such we have heard such praise for a genteel seaside tavern offering acceptable traditional fare in Sanlucar at what seemed like Seville prices?

The most memorable part of the meal - which we tried, without success, to repeat - was an older bottle of Manzanilla "GF" from Bodegas Gaspar Florido, an historic bodega whose wines, from what I understand, have more or less vanished since its sale to Bodegas Pedro Romero in 2007. 

n.d.p. in andalusia: la carbona, jerez

I tend to distrust large restaurants - places where, if you scream, no one would hear a sound. Even at the grandest, most expensive large restaurants, one feels like yet another mouth on the feedlot.

Sometimes my distrust is misplaced. In Paris, the Bourse location of Terroir Parisien operates at an impressively high level, for such an enormous, multifaceted complex. And in Andalusia, the most enjoyable meals I've enjoyed in the region have been at La Carbona, a cavernous family restaurant housed in a former bodega in Jerez.

Incidentally, in five years of writing about restaurants, I can't recall ever having used the term "family restaurant." It evokes Olive Gardens. But the term is inescapable when discussing La Carbona. Its size is a direct reflection of the Andalusian tradition of dining out en masse, with several generations at the table at once. La Carbona is also owned by a family, with chef Javier Munoz' mother Ana running the dining room and the wine list with winning warmth and attentiveness. The menu is as broad and deep as the room, but I never look at it for long. For La Carbona's opulent and unstinting sherry pairing menu, at 5 courses for 32€ with serious wines included, is an unforgettably great deal, one which transcends, in both quality and generosity, the entire overwrought, hucksterish pairing menu genre.

n.d.p. in andalusia: el maestro sierra, jerez

A depressing reality sinks in when one attempts study of sherry, or, for that matter, of Spanish and Portuguese wine in general: all too often, it seems one passes time studying not the history of winemaking families, but the history of winemaking companies. In France or Italy there is more widespread persistence of microviticulture: of tiny families bottling their own wines for generations, and in doing so communicating something of the personality of the individual winemakers. There is indeed a cultural history to be gleaned in the study of sherry; but it is mostly a story of foreign investment, large-scale acquisitions, and inheritance.  

Were its wines not so uniformly stunning, Jerez bodega El Maestro Sierra would still standout for this reason. It's among the few bodegas I know with a truly captivating, individual family backstory - one that continues to this day with owner Pilar Pla Pechovierto, the regal widow of a descendant of Jose Antonio Sierra, the barrel maker who founded the bodega against long odds in 1832. Even back then, the sherry industry was dominated by aristocratic families, whose attitudes towards a barrel-maker joining their ranks is depicted in the bodegas logo: Sierra is shown as a hare escaping ahead of mounted horsemen with dogs.

Today the tiny bodega is principally managed by Ana Cabestrero, who by all appearances maintains the feisty, individualist spirit of the bodega's founder. Originally from a winemaking family in the Ribera del Duero, she took over cellarmaster duties from the bodega's longtime capitaz Juan Clavijo in 2011. Spritely, welcoming, and energetic, Cabestrero cuts an inspiring figure. Touring the historic bodega, which still contains some of the Maestro Sierra's original casks, she relayed to us the enormity of her task: to ensure the painstaking sustenance of some of the region's most illustrious and well-conserved soleras.

n.d.p. in andalusia: bodegas césar florido, chipiona

I think I know what was going through the Native Companion's mind when she booked us a hotel in Chipiona on our first visit to Andalusia. She likes the beach, and she probably assumed it would be nicer to be 'off the beaten path,' as it were, rather than directly in the sherry town of Sanlucar.

The problem with this reasoning, it turns out, is that Sanlucar, and indeed the whole region, is already rather 'off the beaten path.' If you try to get further out, you wind up conversing with cacti in a ghost town, which is how we spent much of our time in Chipiona. Alone on the beaches, alone on café terraces, alone in the halls of our creepy hotel, surrounded by oil paintings of freshly-killed chickens... The town's geographical proximity to Sanlucar belies its wildly divergent fate vis-à-vis wine production. Chipiona's sandy soils are known for the production of Moscatel, a fortified sweet wine, for which global demand hovers just above nil. Production has dwindled to the extent that Chipiona is now home to just two bodegas, only one of which, Bodegas César Florido, sells any wine for export.

The upswing to all this is that that bodega's current winemaker, César Florido, grandson of the founder, is among the most welcoming personalities in the region. He has a mayoral mien and an infectious enthusiasm for the winemaking tradition he helps to sustain. If he carries on like the fate of the town's wine heritage is on his shoulders, it's because in some sense it is.

n.d.p. in andalusia: la taberna der guerrita, sanlucar

By way of introducing a series of posts about sherry and various visits to Andalusia, I thought I'd relay a conversation I recently had with a respected wine journalist friend from New York.

"Are you into sherry?" I asked. (We were on a long car ride.)

He wasn't not into sherry, he said. But, having done the same initial research most wine guys do, he found he subsequently almost never encountered anything new of interest from the region. "I'm sick of Brooklyn bartenders incorrectly explaining what Oloroso is," he added.

After three visits to the region over the course of the past year and a half, I could empathise. Sherry is, as Churchill said of Russian statecraft, a riddle, wrapped in a mystery, inside an enigma. Reading Peter Liem and Jésus Barquin's splendid book on the subject gets you only so far - just inside the outer enigma of a wine whose potential often seems as ill-understood by its producers as it is by its consumers. Even in the sherry towns themselves, one rarely lays eyes on the obscure bottlings about which Liem and Barquin write so inspiringly. Most local bars and restaurants offer a what amounts to a modest elaboration of the Jerez airport's Duty-Free.

This is why it's such a relief to return to La Taberna der Guerrita, foward-thinking sherry dealer Armando Guerra's rustic and unassuming Sanlucar tapas bar, which houses, inside a surprisingly space-age rear tasting room, a scintillating selection of rare and unusual bottles. A chat with Guerra - particularly after a long day shuffling along the town's semi-deserted cobblestones encountering nothing but mosto signs - is enough to restore hope for the region's future relevance.

any other city in the world: juveniles, 75001

My colleagues and I used to pass this place often on the way to lunch at "Japanese Tapas" restaurant Issé, before the latter establishment incomprehensibly doubled their prices and ceded most of the menu to criminally expensive variations on grilled eel.* I'd read Juveniles was an historically important Paris wine bar, but until the other night after a film with my friend F, I'd put off visiting solely on the grounds that no one whose opinions I respect has ever said a peep about the place. It doesn't seem to be on the radar of quality-conscious people.

This is understandable, given Juveniles' tourist-artery location, and, yes, the general low quality of what F and I snacked on that night. The wine bar's most notable aspect is in fact that which will prevent me from returning very often, despite its proximity to my office: in its pokey, avuncular décor, its cheesing goofiness towards wine as a subject, and its focus on wine as a global field, through which one may ostensibly travel at the pop of a cork, Juveniles could pass for a genial, amateurish, wine-themed bar in any other city in the world.

Cincinatti, Liverpool, Melbourne...

n.d.p. in london: brawn, hackney

In Hackney, east London, there is a quite new restaurant called Brawn whose only flaws are derivative graphic design and a misleading name. It opened in December, the kid sister restaurant of a larger one called Terroirs near Charing Cross. It has a blatantly St. John-inspired logo that consists of a wine bottle drawn to look like a pig.

And "brawn" is the British term for testa, or head / face meat, none of which delectable substance was actually present on the menu. These criticisms, however, are roughly the equivalent of blinking during a meal, for me; something I do everywhere, involuntarily, and they in no way detract from the main achievement of this restaurant, the highlight of my recent London trip: it succeeds in presenting excellent natural wines simply and properly, not as though it were some kind of unnatural feat for them merely to be natural.

This would be commendable anywhere on earth. But it's astonishing in London, where titanic overdesigned restaurant groups are the norm, and natural wines are essentially nowhere to be found.

n.d.p. in london: fortnum & mason, piccadilly

If you google "negative epiphany," among the top results are answer-forum queries from writers seeking a single word that might permit them to avoid using the clumsy, rather ad-hoc sounding phrase "negative epiphany." There's isn't one, to my knowledge. This is probably due (inasmuch as the organic manifestations of language and meaning can be "due" to anything) to the fact that "epiphany" by itself ought to mean only a striking revelation or insight, not necessarily a positive one. I suspect it is the fault of literature, which admirably prizes understanding above all else, that the word "epiphany" in contemporary idiom must be accompanied by a qualifier such as "negative" if one wants to avoid conventional rosy connotations.

Anyway, it was in the basement floor wine section of chi-chi London grocery megastore Fortnum & Mason that I had the first negative epiphany* of my recent trip to London.

n.d.p. in london: ECC chinatown, soho

In London I met up with my New Zealand-via-Paris friends P and Z*, and since we all share an interest in good cocktails, we took the opportunity to check out the new Chinatown location of the Parisian bar group Experimental Cocktail Club.

ECC founders Romée de Goriainoff, Olivier Bon and Pierre-Charles Cros have lassoed a really tremendous site for their first cross-channel endeavor: it's a former nightclub with a 3am license located above a Chinese restaurant on a mobbed street just south of mobbed Soho. Once you claw your way in the unmarked door (which, confusingly, opens outwards but has no handle), you find yourself ensconced in the plush cushions of capital L-luxury, two ambitious floors of it.

So, as much as the lack of signage might hint at the sort of low-key elegance that typifies the original ECC location on Rue Saint-Saveur, the new bar is in fact another grand ante-up beyond Prescriptions, ECC's most recent, and most vulgar, bar in Paris' 6ème arrondissement.

n.d.p. in madrid: the vision of la venencia

I actually spent about 90% of my time in Madrid viewing sculptures, paintings, and installations at the city's numerous well-appointed museums and art spaces. My friend E's performance at La Casa Encendida consisted, in a purely visual sense,* of the artist alone in a sailing ship suspended by cables from the roof of a large hall above an artificial tempest of whirring air-blowers. It was pretty striking.

Now, for the sake of encouraging interdisciplinary appreciation, and at the risk of sounding like a total philistine, I'm going to aver that the scene at La Venencia - the rightly famous sherry bar in central Madrid where we all went after her performance one night - moved me in a similar fashion.

n.d.p. in madrid: hangover cuisine at almendro 13

Posting about this place not because it was particularly spectacular by any measure, but rather because I found it illustrative of the general joyous brutality of the whole tapas concept.

You walk in and fight - almost literally fight - your way to a table still cluttered and smeared with the greasy debris of its last occupants, where you wedge yourself in and immediately employ coats, scarves, and handbags as vital seat-holders for whichever poor souls among your party are kind or credulous enough to volunteer to fetch food and drinks, neither of which can be ordered from the table you just fought for. You must leave your seat and visit either the bar (either floor) or the kitchen (ground floor only), which venture risks inviting invasion by hawk-eyed seat-stealing Spanish women with lip-rings.