n.d.p. in andalusia: bodegas el gato, rota

On the surface, there appears to be no reason whatsoever for a wine traveler to visit Rota. It is the runt of the sherry towns, almost entirely overtaken, since 1953, by a vast American Naval base, whose 4000 or so American personal tend to favour beer over the regional wines. Guinness and Corona are as easily obtained as sherry in Rota, and all three drinks vastly outsell the town's helplessly unappealing specialty, a sweet wine in the passito / vincotto vein called Tintilla di Rota.

But Rota is where the Native Companion and I wound up spending a few days last summer. We were visiting our friend B, who works on the Naval Base there, and enjoys the perk of a splendid beachfront apartment. We duly beached it up, frozen margaritas, barbecue, and beer. It was almost as an afterthought that we paid a visit to Bodegas El Gato's unassuming despacho des vinos one afternoon, drawn as much by a sense of anthropological duty as by the psychedelic cat mural on the bar's exterior.

We peered into the retail area, which seemed to be shut, or staffed by small dogs. We noticed that the Bodegas El Gato's Fino hasn't the right to the Jerez appellation; the bodega instead bottles it as a vino de mesa (table wine) and refers to it, on their website, as a "Fino Andaluz." In the adjacent terraced bar, populated unanimously by older Andalusians, we nibbled some surprisingly affecting goat cheese, which we both found more memorable than the bodega's Fino Andaluz. But nothing prepared us for dinner that evening, when our friend B led us to Bodegas El Gato's bar, around the corner from the despacho. In a standing-room-only space, behind a long bar, beneath audible neons, its mugging, churlish chefs grilled up explosive chorizo sandwiches and crackling, curlicued shrimp, plates which, while costing next to nothing, collectively amounted to our favorite restaurant experience in the entire region.

n.d.p. in andalusia: bodegas gonzalez byass, jerez

Don't get me wrong: the Native Companion and I certainly appreciated our visit to Bodegas Gonzalez Byass, which occupies a seemingly Vatican-sized complex in the town's southwest. The canopied courtyards and echoing, dust-blackened bodegas of Gonzalez Byass are as awe-inspiring as any cathedral, and together comprise a truly resplendent monument to the region's historical significance.

Like other monuments, visitors can go on tours of Gonzalez Byass. There are even trains that take 300,000 tourists per year around the complex. This is what we wanted to avoid, of course, and we were very relieved when one of the company's sales directors agreed to meet us for a private visit.

Unfortunately, our visit was unrecoverably derailed by an extended, Kafka-esque scenario that arose with one of the bodega's doormen, who, despite repeatedly assuring us otherwise, proved unable or unwilling to communicate the message that we had arrived for our appointment. It was human error (his), but I mention it because it blighted the bodega's otherwise commendable hospitality in a way vaguely illustrative of the quality limitations inherent in such enormous, depersonalising enterprises.

n.d.p. in andalusia: casa bigote, sanlucar

What little information was available indicated Casa Bigote was among the best restaurants in Sanlucar. In our defense, Sanlucar is a coastal town in a relatively impoverished region. One feels there ought to be a splendid seafood place, and it ought to be right on the Bajo de Guia, as Casa Bigote is.

One's expectations begin to decline when, on a balmy night in early June, one traverses the bat-infested ruins dividing that section of the Bajo de Guia from the town proper to discover that the restaurants on the quay are quite deserted. Casa Bigote is almost indistinguishable from its neighbors: a sprawling, two-storied complex housing a bar and a restaurant on opposite sides of an small alley. We dined at the restaurant, which may have been a mistake. Perhaps the bar is best. Why else would such we have heard such praise for a genteel seaside tavern offering acceptable traditional fare in Sanlucar at what seemed like Seville prices?

The most memorable part of the meal - which we tried, without success, to repeat - was an older bottle of Manzanilla "GF" from Bodegas Gaspar Florido, an historic bodega whose wines, from what I understand, have more or less vanished since its sale to Bodegas Pedro Romero in 2007. 

n.d.p. in andalusia: la carbona, jerez

I tend to distrust large restaurants - places where, if you scream, no one would hear a sound. Even at the grandest, most expensive large restaurants, one feels like yet another mouth on the feedlot.

Sometimes my distrust is misplaced. In Paris, the Bourse location of Terroir Parisien operates at an impressively high level, for such an enormous, multifaceted complex. And in Andalusia, the most enjoyable meals I've enjoyed in the region have been at La Carbona, a cavernous family restaurant housed in a former bodega in Jerez.

Incidentally, in five years of writing about restaurants, I can't recall ever having used the term "family restaurant." It evokes Olive Gardens. But the term is inescapable when discussing La Carbona. Its size is a direct reflection of the Andalusian tradition of dining out en masse, with several generations at the table at once. La Carbona is also owned by a family, with chef Javier Munoz' mother Ana running the dining room and the wine list with winning warmth and attentiveness. The menu is as broad and deep as the room, but I never look at it for long. For La Carbona's opulent and unstinting sherry pairing menu, at 5 courses for 32€ with serious wines included, is an unforgettably great deal, one which transcends, in both quality and generosity, the entire overwrought, hucksterish pairing menu genre.

n.d.p. in andalusia: bodegas césar florido, chipiona

I think I know what was going through the Native Companion's mind when she booked us a hotel in Chipiona on our first visit to Andalusia. She likes the beach, and she probably assumed it would be nicer to be 'off the beaten path,' as it were, rather than directly in the sherry town of Sanlucar.

The problem with this reasoning, it turns out, is that Sanlucar, and indeed the whole region, is already rather 'off the beaten path.' If you try to get further out, you wind up conversing with cacti in a ghost town, which is how we spent much of our time in Chipiona. Alone on the beaches, alone on café terraces, alone in the halls of our creepy hotel, surrounded by oil paintings of freshly-killed chickens... The town's geographical proximity to Sanlucar belies its wildly divergent fate vis-à-vis wine production. Chipiona's sandy soils are known for the production of Moscatel, a fortified sweet wine, for which global demand hovers just above nil. Production has dwindled to the extent that Chipiona is now home to just two bodegas, only one of which, Bodegas César Florido, sells any wine for export.

The upswing to all this is that that bodega's current winemaker, César Florido, grandson of the founder, is among the most welcoming personalities in the region. He has a mayoral mien and an infectious enthusiasm for the winemaking tradition he helps to sustain. If he carries on like the fate of the town's wine heritage is on his shoulders, it's because in some sense it is.

n.d.p. in andalusia: la taberna der guerrita, sanlucar

By way of introducing a series of posts about sherry and various visits to Andalusia, I thought I'd relay a conversation I recently had with a respected wine journalist friend from New York.

"Are you into sherry?" I asked. (We were on a long car ride.)

He wasn't not into sherry, he said. But, having done the same initial research most wine guys do, he found he subsequently almost never encountered anything new of interest from the region. "I'm sick of Brooklyn bartenders incorrectly explaining what Oloroso is," he added.

After three visits to the region over the course of the past year and a half, I could empathise. Sherry is, as Churchill said of Russian statecraft, a riddle, wrapped in a mystery, inside an enigma. Reading Peter Liem and Jésus Barquin's splendid book on the subject gets you only so far - just inside the outer enigma of a wine whose potential often seems as ill-understood by its producers as it is by its consumers. Even in the sherry towns themselves, one rarely lays eyes on the obscure bottlings about which Liem and Barquin write so inspiringly. Most local bars and restaurants offer a what amounts to a modest elaboration of the Jerez airport's Duty-Free.

This is why it's such a relief to return to La Taberna der Guerrita, foward-thinking sherry dealer Armando Guerra's rustic and unassuming Sanlucar tapas bar, which houses, inside a surprisingly space-age rear tasting room, a scintillating selection of rare and unusual bottles. A chat with Guerra - particularly after a long day shuffling along the town's semi-deserted cobblestones encountering nothing but mosto signs - is enough to restore hope for the region's future relevance.

n.d.p. in barcelona: coure

There are myriad indicators of good hospitality in restaurants: prompt service, thoughtful suggestions, graceful reservation systems, etc. Perhaps the most outright challenging for a restaurant, however, is the time-limited meal, such as what my friend / colleague R and I were obliged to impose on Barcelona gastro-bistrot Coure at the tail end of our Barcelona trip last fall.

This is where the guest shows up, hastily states the name of his reservation, and then explains in the nicest possible terms that he's delighted be here but must leave in under an hour - and can the host or hostess kindly work that out with the waitstaff and kitchen staff? Given the often terse or restricted channels of communication between front-of-house and back-of-house staff in restaurants, this is more challenging than it may initially sound - sort of the triathalon of restaurant communication. I hated having to perform it back in Boston and Los Angeles restaurants, and I hate asking for it myself.

But R and I'd had twenty-four hours in the city without sitting at a table for a meal. We'd worked through the night, we needed lunch, and I'd heard nice things about Coure from my friend Cesar E. Castro Pou from Terroir Santo Domingo (at that time my one Barcelona connection). It seemed worth chancing a last minute sprint, even if it did involve running literally a mile with our suitcases to the restaurant.

n.d.p. in barcelona: l'anima del vi

Not Paris ! Barcelona ! To mitigate the drop in readership that occurs whenever I begin talking about cities other than Paris, I've gotten into the habit of spacing out such posts with Paris coverage. But this has the unfortunate effect of exacerbating what is already a journalistically unfathomable delay between travel experiences and blogging about them...

Anyway, in Barcelona last November on the recommendation of my friend César from Terroir Santo Domingo Imports I visited L'Anima del Vi, Barcelona's only natural wine shop (as far as I know), founded and run since 2006 by Benoît Valée, a Frenchman who hails - if I remember correctly - from the south-west somewhere.

The shop is a pleasantly scrappy space, painted green and red, furnished with cinderblocks and boxes. The ceiling descends over the register area, an unfortunate architectural feature that has the effect of making anyone positioned there seem to be lurking or brooding. Weirdly, when R and I passed by, there was just one other customer, and by enormous coincidence she happened to be another Unspecified International Wine Industry Media Person. I got self-conscious - it felt redundant to ask a round of semi-standard blogger-questions that the person standing next to me had presumably just asked. So R and I just nosed around, got a couple reccommendations, and before we left for lunch I bought a few treasures to lug back for the Native Companion, most notably a zero-sulfur artisanal vermouth by Casa Pardet in the Costers del Segre DO.

n.d.p. in barcelona: tapas 24

Earlier that evening, the wine director of renowned Barcelona wine fortress Monvínic, Isabelle Brunet, told me something that surprised me, although in retrospect it should have been obvious: Barcelona is a beer town. Brunet said that the average resident of Barcelona consumed just 20 litres of wine per year, but 70 litres of beer. By contrast, in Paris the average resident consumed 90 litres of wine per year. (Statistics for Paris beer consumption were not mentioned, perhaps due to present lack of any real beer culture whatsoever in that city.)

That this surprised me is perhaps very American, and very east coast at that. When one does not come from wine country, one imagines that historical wine-producing nations must exist in a kind of perpetual bacchanal, celebrating the national bounty at all hours in various states of undress. But in Barcelona you have a warm climate and a beach and an astronomically successful football club, the second richest in the world: these things, as sure as hops plus water, are a recipe for beer.

I had my own reasons for downing a few cold ones over the frantic meal R and I had afterwards at  Tapas 24 , chef-restaurateur Carlos Abellan's subterranean tapas bar. I didn't know many producers on the list, and it seemed pointless and sort of cruel to start interrogating the harried chef / servers careening about behind the bar. Also, the list was written in a format that has always irritated me, segregated by neat price bracket, as though one were choosing phone cards. But the real decider, as ever, was the cuisine. Tapas, Spain's national food group, and its most successful export since the Macarena. Every magazine article ever written on Spain, even those pertaining to unrelated subjects such as the economic crisis, will cheerfully explain the origin of the word tapas, how it means 'lid', etc. To the world at large tapas sensibly means one thing, which is hangover cuisine, whether one is recovering-from or heading-straight-for.

n.d.p. in barcelona: monvínic

This past fall my friend / colleague R and I were sent to Barcelona to install a display in a department store. I was delighted to at last get the opportunity to travel for work – until it dawned on us that, due to insufficiently devious planning on our part, we would be staying in the city only 24 hours, and the nature of our task obliged us to work through the night, denying us even a single night out to explore the city, drink heavily, pee in the streets, wear funny hats, solicit hookers, etc.

There was nothing for it but to reflect, ruefully, that this is why it’s called work travel.

Nonetheless, after arrival and check-in at our hotel we had a solid six hours to kill before installation of our company’s stand could begin, and I was hell-bent on packing in as much questing semi-informed wine tourism as possible. Our first stop was to Monvínic, a place my friend Cesar Pou of Terroirs Santo Domingo Imports had described to me as Barcelona’s premier wine bar, the ground zero for wine geeks in the city. Aware of my tastes, he had warned me it was a little futuristic – a disclaimer that, in the case of Monvínic, is like saying the Vatican is religious-affiliated.

n.d.p. in madrid: common decency at bocaito

After a few nights spent careening around Madrid en masse guided only by iPhones and good intentions, it was a tremendous relief on our last night to actually have a reservation in our name somewhere. My friend D's friend C, a Madrid native, had made the res from London and then moved heaven and earth to arrive in time for the main course.

I suspect that D had made us intentionally late for C's sake, actually. We all trooped into Chueca-district restaurant Bocaito loopy on sherry and about an hour late, prompting the matronly proprietress to unleash a wild tirade on impoliteness and ethics to the only member of our party who could understand her, which happened to be Y, the curator of the group show in which D's wife E was performing. We all seated ourselves red-faced with heads bowed - but grinning, since at very least we were seated, and at a restaurant that promised to be decent, even.

n.d.p. in madrid: a few quick splashes at taberna tempranillo

It's hard being a walk-in party of ten on a Friday night. You might as well all wear matching signs that say "Sucker." The fact is, any restaurant worth sitting down at will be booked solid on a Saturday night; the ones that are not are the strugglers and failers, whose general sad desperation is reliably reflected in that of the waitstaff, who will rob you blind without blinking.

But in Madrid that is the situation we found ourselves in. My friend D and I had a few tip-offs for chaotic tapas bars, but everyone (notably his wife / my friend E, the reason we were all in Madrid in the first place) preferred to sit down after a hard days' museum viewing. For twenty minutes all ten of us ricocheted around Calle Cava Baja, rejecting restaurant after restaurant for being either too slammed or too disturbingly calm. Finally D made an admirable well-intentioned capital-dee Decision and convinced everyone to wait still longer for a half-promised table at a what was quite plainly a sinister rip-off joint for old-school geezers.*

Everyone but me. Immune to shame, I told everyone I'd return when the table was ready and I popped off solo to revisit one of the recommended manic tapas bars we'd passed earlier, Taberna Tempranillo.

n.d.p. in madrid: the vision of la venencia

I actually spent about 90% of my time in Madrid viewing sculptures, paintings, and installations at the city's numerous well-appointed museums and art spaces. My friend E's performance at La Casa Encendida consisted, in a purely visual sense,* of the artist alone in a sailing ship suspended by cables from the roof of a large hall above an artificial tempest of whirring air-blowers. It was pretty striking.

Now, for the sake of encouraging interdisciplinary appreciation, and at the risk of sounding like a total philistine, I'm going to aver that the scene at La Venencia - the rightly famous sherry bar in central Madrid where we all went after her performance one night - moved me in a similar fashion.

n.d.p. in madrid: hangover cuisine at almendro 13

Posting about this place not because it was particularly spectacular by any measure, but rather because I found it illustrative of the general joyous brutality of the whole tapas concept.

You walk in and fight - almost literally fight - your way to a table still cluttered and smeared with the greasy debris of its last occupants, where you wedge yourself in and immediately employ coats, scarves, and handbags as vital seat-holders for whichever poor souls among your party are kind or credulous enough to volunteer to fetch food and drinks, neither of which can be ordered from the table you just fought for. You must leave your seat and visit either the bar (either floor) or the kitchen (ground floor only), which venture risks inviting invasion by hawk-eyed seat-stealing Spanish women with lip-rings.

n.d.p. in madrid: rocking txakolina in la latina

A common misconception, when I drag tired friends from bar to random bar in a foreign city, is that I'm searching for The Best Wines. Usually I'm too busy urging everyone onwards and researching other addresses to even begin to clarify that greatness isn't what I'm after - that all I'm after is typicity*: something that speaks of a particular area or a culture.

So while killing time before my friend E's art opening this past weekend in Madrid, I was quite thrilled to have several healthy glasses of random fizzy Txakolina at Lamiak in the La Latina neighborhood. (Admittedly much of my good mood may have derived from watching the bartenders.)

estoy perdido!

Image swiped from chnm.gmu.edu.

The recent uncharacteristic radio silence is not because I have stopped drinking, or thinking too much about drinking.

It's because I've been bumbling around in Madrid for the past three days, sherry glass in hand, largely incommunicado.  

Once I change into some clean socks and get my thoughts in order I'll begin posting all about it.