Showing posts with label dolcetto. Show all posts
Showing posts with label dolcetto. Show all posts

14 December 2011

n.d.p. in piemonte: cascina delle rose, barbaresco


In principal, one goal of anyone making wine naturally - organic, biodynamic, or anywhere in between - is heightened expression of terroir. I'm of the opinion that the success of the venture is most perceptible when one evaluates it across the boundaries of individual domaines and regions; in general, one might say, natural wines tend to reflect more dramatically the vicissitudes of the vintage and the composition and exposition of the soil. This is because, when compared to the panoply of invasive techniques available to the contemporary winemaker, natural winemaking is a fundamentally subtractive process. It is, at least in part, a resistance to overcorrection of naturally occurring traits.

Nevertheless, when we use terms like "non-interventionist," we risk obscuring the fact that winemaking itself is one big intervention. What we taste in a glass remains a product of the individual habits and customs of a given estate. Evaluating wines is always a more or less informed stab in the dark about which traits come from the whims of nature and which come from the whims of man.

This brings me, finally, to my conflicted feelings about Cascina delle Rose, a 3ha organic Barbaresco estate we visited in Piemonte this past August. The estate had come highly recommended from two different sets of friends - a surprise, since despite having tasted the region's wines pretty exhausively, I'd never heard of them. Estate owner Giovanna Rizzioli was a marvelous hostess, intelligent and expressive, and the best of the wines we tasted reflected the same qualities. There was, nevertheless, across the range of wines, a rigidity of style that felt determined by something other than the terroir of the estate's 3ha of vineyards. (Cue darkness, stabs.)

28 November 2011

n.d.p. in piemonte: stefano bellotti & cascina degli ulivi, novi liguri


Throughout the recent trip to Piedmont, the Native Companion and my friend J's wife C would ask us before each scheduled visit to a vigneron whether we thought it would be worth their coming along. What they meant is: would visiting vigneron X be better than a dip in the pool? Would it be better than thirty pages of a novel? Would it beat viewing certain rural churches?

Unfortunately, since it was our first time in the region, J and I could offer them only the Gump-like but invariably true answer that you just never know what you are going to get, visiting vignerons. Sometimes you never see the vigneron and a cellar hand just explains what fermentation is. Sometimes it's an all-business experience and you leave after fifteen minutes clutching a price list. As wine geeks we continue to nose around wine estates because oftentimes it's better than that. As much as can be learned from books and the internet and copious tasting, there's just no substitute for the ambient knowledge that gets transmitted when you visit winemakers in their element, and hear how they themselves feel about their wines and their methods of production.

I had an inkling it would be worthwhile visiting pioneering Gavi producer Stefano Bellotti at his Cascina degli Ulivi estate in Novi Liguri. It wasn't a convenient trip from Monforte - almost two hours by car - but J and I were both fans of Bellotti's wines, and furthermore we were curious to meet one Italy's premier biodynamicists. In retrospect I can say that, while Gavi is kind of remote, and the rest of the region's wines have yet to interest me in the slightest, a visit to Cascina degli Ulivi is indeed a rewarding and inspiring experience, an entry into a freewheeling ecological community that, among other achievements, makes some utterly enchanting wines.

16 November 2011

n.d.p. in piemonte: giorgio barovero, monforte d'alba


The great wines of Piedmont are a popular counter-argument to the concept of natural wine. As much as wine geeks like myself might advocate use of wild yeasts, low sulfur, and total disavowal of pesticides, herbicides, anti-mildew agents and so on, we're still uniformly unable to refute the majesty of good Barolo and Barbaresco, appellations in which these virtuous habits are rare to non-existent. So visiting Piedmont recently I maintained a sort of hopeless mini-agenda to sniff out whatever natural or organic wines I could find in the area, out of curiosity for how Piemontese grapes would be affected by more or less natural viticulture.

What I tasted was, on the whole, immensely intriguing. Like, potential-business-opportunity intriguing, for someone with more means and patience and Italian skills than I presently possess.

There are apparently three small organic producers in Monforte alone. One, I'm told, is Francesco Clerico, a cousin of the more famous Domenico, neither of whose wines we were unable to taste on this trip. Another is Enrico Boggione, whose rich and vibrant Nebbiolo d'Alba is available for a song at the little organic boutique run by his wife off the main square in Monforte. The third is Giorgio Barovero, to whose stunning 2005 Nebbiolo d'Alba we were introduced by the excellent bartender at Casa della Saracca. My friend J and I enjoyed the wine so much we set up a tasting appointment for the next day, and drove the short distance to Barovero's spare cellars in the valley just south-east of Monforte, outside of the Barolo appellation, on the frontiers of Piemontese natural wine.

04 May 2011

worth celebrating: rino, 75012


I'd intended our dinner at 12ème Italian-ish restaurant Rino earlier this month to be a celebration of the much-anticipated arrival in Paris of my sister and her boyfriend. They live across the world in Los Angeles, and I hadn't seen them in two years, so someplace soulful and slightly splashy was in order.

Rino, with its fixed market menu and Franco-Italian natural wine list, is actually very reasonably priced, for what it is, but I'm not (yet) such an inveterate gourmand that four or six courses at dinner is the norm for me. Ben Franklin famously said, "Three good meals a day is bad living"; an addendum for contemporary Paris dining might be: "Six fine courses is two meals."

Unfortunately, due to a complicated story involving an arrest, my guests missed their flight and arrived a day late. I found out that morning, by which time I'd already corralled a gang of friends and the Native Companion had invited her sister, who I'd yet to meet. So, what the hell, we celebrated anyway. I was delighted to meet the NC's sis, and furthermore it turned out my friends C and J had just settled on an apartment that day. Then, even setting aside those happy circumstances, simply to encounter such a splendid, well-priced Italian wine list in Paris is a major occasion for me.