blast from the present: gare au gorille, 75017

What does it mean for savvy young Parisian restaurateurs to advertise their appreciation for post-war cabaret, as chef Marc Cordonnier and server-sommelier Louis Langevin have done with their new 17ème arrondissement Georges Brassens homage, Gare au Gorille?

My dinner companion was blasé about it. She identified it as part of a wider revivalist fad among Parisians her age, rather like the superficial blues revival incited in the early 2000's by the likes of the White Stripes and the Black Keys.*

Gare au Gorille, the restaurant, not the song refrain, is a bit of a Trojan horse in this respect. Perched in Les Batignolles beside the train tracks spanning northwards from Saint Lazare, Gare au Gorille inhabits a quartier I've long considered to be among Paris' Frenchest and most timewarpy, where foreigners are scarce and their influence barely acknowledged. Yet with Gare au Gorille, its nostalgic name notwithstanding, Cordonnier and Langevin have summoned a blast from the present, replete with all the tasteful grace notes of up-to-date Parisian restaurateurism: versatile menu construction, a kindly-priced wine list speckled with foreign selections, and terrific hospitality.

a family affair: mon oncle le vigneron, 75019

Most wine geeks learn to take the recommendations of non-aficionados with a cellar full of salt. This is because wine, or rather the idea thereof, is one of those elementally good things to which almost everyone is predisposed to a greater or lesser degree, like art, or music, or breakfast. A wine geek therefore tends to listen to casual drinkers talk wine in the way a contemporary art dealer will hear out a description of a painting someone bought at a yard sale.

This is my excuse, anyway, for why it took me so absurdly long to accompany the Native Companion to one of her favorite restaurants, the wincingly named Belleville table d'hôte Mon Oncle Le Vigneron.

Now it's one of my favorites, too, probably for similar reasons as hers. (Not the wine.)