Showing posts with label biodynamics. Show all posts
Showing posts with label biodynamics. Show all posts

05 December 2016

n.d.p. in beaujolais: romain des grottes, saint-etienne-des-ouillières


The man standing there with the huge elderflower bush in his vines is Romain des Grottes. He's a métayer, or sharecropper, working 8ha vines belonging to the Château de Lacarelle in Saint-Etienne-des-Ouillières. Almost everything about that sentence is misleading, though.

The Château de Lacarelle belongs to des Grottes' grandfather, a peculiar situation that allows des Grottes considerably more creative leeway than most métayers. And his 8ha of vines is effectively 4ha, because since 2003 des Grottes has uprooted half the rows, planting cereals in the remaining spaces. He also works the soil less than many organic winemakers, content with a wilderness of grass cover that would make his elders blanche.

"I think I’m liberated from the tradition, because I never grew up here," admits des Grottes, who was born in Paris. "As much in the vines as in making the wine."

04 January 2016

n.d.p. in beaujolais: yann bertrand, fleurie


During pressing with Yvon and Jules Métras this September we were often joined around apéro hour by Jules' good friend Yann Bertrand, an extremely talented young Fleurie winemaker who lives a stone's throw away in Grand Pré. He often wore a vaguely pained expression when he arrived. 2015 in Beaujolais was a touch-and-go year for many winemakers, but Yann and his family suffered more than most.

"My grandfather died, we buried him, then the next day I heard that all my tanks had bret. Then my car broke down," he says, wincing. "I said to myself, 'Sometimes it’s best not even to think about it.'"

The Bertrand family shares cellar facilities with Yann's cousin and uncle, Romain Zordan and his father Claude, who make their own range of estimable natural Beaujolais under the name Château de Grand Pré. The story of the two winemaking families of the Château de Grand Pré is one I plan to explore in greater depth elsewhere. (Expect a post about the Zordans soon, too.) For now it seems worthwhile to discuss Yann Bertrand's work at at time when what many locals were calling his "beginner's luck" is being tested like never before.