from the ground up: yard, 75011

A few weeks ago I organised a hilarious and, thankfully, thereafter utterly unrepresentative meal for a visiting friend at Père Lachaise bistrot Yard. I hadn't been to the restaurant, but had heard about it for years and thought why not. Unfortunately for my friend, who idolizes the strenuous "modernist" cuisine of the likes of Inaki Aizpitarte, Yard was between chefs. We later learned that owner Jane Drotter had been in the kitchen that night, winging it.

All at the table agreed that it was like not even eating at a restaurant. It was like dining in the countryside at the house of a French friend's mother who had never been to restaurants. We fled to Clamato for a second dinner to remind ourselves what food with flavor tasted like, and my friends learned never again to trust me for a restaurant recommendation.

As usual, I was just ahead of my time. Not a week later, I learned that Shaun Kelly, ex-chef of Au Passage, and Eleni Sapera, ex-cook at Bones, were taking over kitchen duties at Yard, instantly rendering it a destination. So my friends and I returned on Friday for an entirely different register of meal. It was a testament both to how much Drotter got right with Yard in the first place, and to the transformative power of a certain circle of young foreign chefs in Paris

loire salons 2014: la dive bouteille, les penitantes, la renaissance des appellations, les vins anonymes

If ever you wish to experience an almost out-of-body sense of superfluousness, visit the January Loire salons and tell the natural winemakers you meet that you are a journalist. Of hundreds of winemakers present, only a vanishingly small percentage are subject to the conditions that would warrant paying you any attention whatsoever, i.e. they use the Internet, have wine to sell, and are aware of the commercial value of positive press. I've illustrated the scarcity of this demographic in a handy bubble graphic after the jump.

I never take it personally. Since at present I have the luxury (or misfortune, depending on when you ask me) of not buying and selling wine for a living, I kind of just moon around the various tastings and do my best to make the sort of fleeting interpersonal connections that become useful at later dates, such as when I'm trying to secure interviews, or volunteer for harvest work, or plan bike trips around tasting appointments. "I'm the guy who stared at you and waved from across the restaurant in Angers! Who said hello with from behind the restaurateur accompanying your Canadian importer!" etc. (These are fictitious examples, but not far from reality.)

I leave it to readers to judge whether this constitutes a useful perspective on the Loire salons. This year I accompanied my friend J to La Renaissance des Appellations, Salon Les Penitantes, Les Vins Anonymes, and La Dive Bouteille. What follows are some scattered takeaways.

the angevin clan, pt. 2: cédric garreau / gar'o'vins, chanzeaux

The evening before our visits with newly-installed Anjou vigneron Cédric Garreau and the rest of the Angevin clan back in January, my friends J, M, and I found ourselves at Angers natural wine bar Le Cercle Rouge, sharing a nightcap with some US importers with whom J and M were discussing working. It was during the time of La Dive Bouteille, La Renaissance des Appellations, and the various satellite tastings, and we'd assumed we'd run into a few vignerons and fellow industry folk at La Cercle Rouge that night. But we'd evidently missed a memo, because the place was quiet as the grave. If I concentrated, I imagined I could actually hear echoes from the wild bacchanal in the surrounding hills where all the vignerons and the more clued-in buyers were probably spraying each other with pétillant naturel and doing impressions of Americans.

If we nevertheless stayed at Le Cercle Rouge for the duration of two bottles, it was because the wine we were drinking - Cédric Garreau's 2011 "Le Lulu Berlue" - achieved the almost impossible : it was marvelously palatable to five weary palates that had endured a sequence of professional tastings earlier in the day. (Ordinarily such circumstances are the only moments in life where one craves Kronenberg.)

The "Lulu Berlue" is an odd duck, a sparkling carbonic-maceration Cabernet Sauvignon, mouth-rinsing, pure, and black-fruited, sort of like fine Loire Lambrusco. It hit the spot. The next day when we visited Garreau's tiny shed of a cellar in Chanzeaux we were able to confirm that all his red wines - all three - share the same soulful purity of fruit that made the "Le Lulu Berlue" so entrancing. They're wines that feel fundamentally healthful, and they herald a new voice in Angevin winemaking, one whose maturity of expression is surprising given its only Garreau's second vintage.

the angevin clan, pt. 1: mai and kenji hodgson / vins hodgson, rablay-sur-layon

From L: Kenji Hodgson, Cedric Garreau, M, Mai Sato, Nicolas Bertin, J. Taken in Bertin's vineyards.

After departing from La Dive Bouteille this past January, my friends J, M, and I went to visit a few newly-installed Angevin vignerons. We'd planned to make separate appointments with three domaines - Mai & Kenji Hodgson, Cedric Garreau / Gar'O'Vin, and Bertin-Delatte - but upon learning that their proprietors are all good friends and collaborators, it was decided we'd all taste together at each cellar and then have lunch. 

For J, M, and I, tasting at the three domaines that morning was revelatory. It might have just been an on-palate day.* But after just about every taste, we were having "On First Looking Into Chapman's Homer" moments, looking at each other, like Cortez's sailors, "with a wild surmise." 

All of these vignerons are onto something. All are members of a collective of organic Angevin vignerons who organise tastings together, loan each other equipment, and generally support one another in the daunting task of making and selling quality wine from Anjou, a famously schizophrenic region, nigh-on uncategorizeable, home to everything from industrial Cab Franc rosé to ageless Quarts de Chaume. The collective officially call themselves "The En Joue Connection," which has facetious gangster-ish implications that I will relegate to a footnote.* I can't speak for the entire collective, because I haven't tasted all the wines. But with regards to Bertin-Delatte, Vins Hodgson, and Gar'O'Vins, I thought it might be more helpful to think of what they're presently achieving in Anjou in terms of some other poets, namely the Wu-Tang Clan.  

strange but true: françois blanchard at le bistral, 75017

I have to thank my friend the natural Loire vigneron François Blanchard and his brother J3* for their high spirits and admirable fortitude during our dinner at 17ème bistro-à-vin Le Bistral a couple weeks back. François was in town for leisure purposes (a Roger Waters show) but had run into legendary natural Sologne-based Loire vigneron Claude Courtois earlier that day while lunching at @2eme haute-cave-à-manger Saturne, and they had proceeded to drink for most of the afternoon. Sensible mortals would have called it quits there; instead François and J3 went ahead as planned with the big chaotic dinner we'd arranged.

I get to the 17ème about as often as François gets to Paris, which, what with his insanely demanding, rigorously natural vineyard work in Lémére, near Chinon, and my preference for less timewarpy parts of town, is not very often at all. But I'm always grateful for the chance to discover another natural wine spot, and it's even more of a pleasure to check in with François to see what sort semi-visionary strangeness he's been coaxing from his vines lately.

ah seaux desu ka: thursdays at les trois seaux, 75011

My friend Olivier Aubert's 11ème bistro-à-vin Les Trois Seaux is now offering wines at prix caviste on Thursdays. This is a particularly fine bargain at Les Trois Seaux, where ordinarily the restaurant mark-up of twice retail constitutes the only teensy sticking point* in an otherwise totally charming meal.

In fact, having posted about the restaurant when it was under construction, and then later when it was freshly opened, I can attest that the place seems to be really hitting its stride these days.

The other night I popped by with my friends C, P, E, J, and IF, thinking only to nibble on charcuterie and basically exploit the new Thursday thing to the fullest. But, since I have no willpower and all my friends are enablers, we wound up having a remarkably superb three-course meal, one accompanied by a wine list that, on Thursdays at least, presents a fine opportunity to explore the wines of Bordeaux without breaking the bank, or being a banker.

loire road trip, pt. V: bistrot de la place, saumur

Among the chief occupational hazards of the wine industry are dinners with many other traveling wine professionals. By the time the plats arrive there are invariably more bottles on the table than pins on a bowling lane, and a sort of mad profligate glee takes over, as yet more bottles are ordered, not to replace the unfinished ones already in play, but to provide further points of aesthetic comparison at any cost. If, like me two Sundays ago at Bistrot de la Place in Saumur, you are traveling without recourse to any kind of expense account, you're toast - you have to just surrender to the spirit of the occasion and bring homemade soup to work for the rest of the month.

What the hey, anyway. All of us were fortunate to have had any kind of night out in sleepy Saumur on a Sunday. During the period of the Renaissance des Appellations and La Dive Bouteille, the Bistrot de la Place books up solid, and we'd only snagged a twelve-top thanks to the admirable foresight of my friend J2,* who'd narrowly missed out on a table the year before.

loire road trip, pt. II: clos rougeard

Besides the wines themselves, the most unforgettable thing about last Saturday's tasting at Clos Rougeard was mustachioed winemaker Nady Foucault's strange entrance.

My friends J, C, and I had shown up early for our appointment,* along with winemakers Romain Guiberteau (Saumur) and Frantz Saumon (Montlouis), with whom we'd just had a very brief bada-bing-bada-boom sort of tasting at Domaine Guiberteau. By coincidence, they too had an appointment to taste the Clos Rougeard wines that day, so Romain led the way on the short drive to the nearby village of Chacé.

Once inside the unmarked gates of the Clos Rougeard operation, Romain guided us directly down into the dark wet cellar, where we encountered - no one. Romain, who'd been there before, called out a few times, and checked quickly into adjacent corridors, finding no one. We ascended back to surface level and smoked cigarettes for about twenty minutes in the freezing evening breeze, Romain remarking on how eerie it was that everything had been left open and seemingly abandoned.

Soon we were joined by a caviste from Bretagne and his two friends, who had evidently been doublebooked with us for the degustation. They lit cigarettes too.  There were like eight of us by now, standing around like a flock of pelicans, with others still to arrive. We were remarking on the odd incongruity of a nearby palm tree in the courtyard, when the winemaker we'd been awaiting, Nady Foucault, emerged from the same cellar we'd initially checked. He took the time to close the cellar door before balling his big fists at his sides and giving us a look from above his walrus mustache that said something to the effect of "What are you idiots all doing just standing there?"

loire road trip, pt. I: late for domaine guiberteau

I had the tremendous good fortune this past weekend to be invited by my friends J and C on a road trip to several enormous wine tastings in the Loire valley. It was particularly nice of them to bring me along given that I don't have a valid French driver's license*, which condition reduced me to the inessential role of ballast for most of the long hard driving. The Loire valley, I discovered, is vast, and mostly empty.

J, who is the wine director at 1er arr. restaurant / boutique Spring, had snagged us two excellent cellar-visits for that Saturday. The second, which I'll report later, was at the illustrious benchmark Saumur estate Clos Rougeard, in Chacé. The first appointment, for which we ran a bit late, was a few miles away at Domaine Guiberteau, in Mollay, where Antoine Romain Guiberteau makes acclaimed natural Saumur whites and reds that in retrospect seem somewhat palpably (and understandably) influenced by a certain nearby illustrious benchmark Saumur estate.

For our lateness that day, we had any of three excuses.

the fashion at the time: l'hedoniste, 75002

Last Saturday the intended cosy casual dinner for two or three with my friend D eventually (and happily) turned into a roving thirsty party of eight, when it turned out a number of other colleagues from NYC and Tokyo were able to join us.* This presented the conundrum of where one might dine not-horribly in the center of Paris on a Saturday with a brigade of people in the middle of fashion week.

Happily, this is just the function in which the recently-opened 2ème restaurant L'Hedoniste excels, for the time being. It is extraordinarily not horrible - even excellent, at times, if one is able to forgive the prices, which are all a notch above what dishes and wine actually merit, and the slightly hapless one-man kitchen, from which most things seemed to leave lukewarm, rather than hot.

But that is the kind of restaurant this is. If it were hot, there is no way I could have invaded on a moment's notice with D et al , and had, despite my criticism, a very enjoyable meal.