somm-run: le siffleur de ballons, 75012

If coverage of some of my favorite Paris addresses is long overdue, it's usually because I inadvertently befriended the staff and / or ownership before I had a chance to write anything. It's hard to write about one's friends. One either gushes aimlessly, or, if one is me, one tosses, underhand, a few critical softballs, and soon loses friends. Often it doesn't seem worth the risk. What, one asks oneself, do I get out of this ?

I'm still trying to figure that out. This blog is approaching its 500th post, which, when you think about it, is a lot of booze. A lot of sacrificed lunchbreaks, a lot of aimless travel, and above all, a lot of unsolicited opinions. As with most commitments in life, I'll probably never stop thinking of ending it all.

But I'll take advantage of the valedictory humour I'm in lately to say something about my friends at Le Siffleur de Ballons, Thierry Bruneau's pitch-perfect neighborhood wine bar on rue de Cîteaux, where I can be found at least once a week. For newsiness, I might add that since autumn the bar has offered splendid aged faux-filets to share, triaged over from Bruneau's other restaurant L'Ebauchoir across the street.

reign of terrine: repaire de cartouche bar à vin, 75011

Who knew what to expect when chef Rodolphe Paquin, le roi de la terrine, announced he was turning his divisive bistrot Le Repaire de Cartouche's rue Amelot dining room into a wine bar ?

Paquin's friend and peer Thierry Breton opened his own bar à vin last summer, La Pointe du Grouin, to strange, circusey results. As much as I enjoy that bar, it's representative of a tendency among French restaurateurs - even ones as free-thinking as Breton - to view customer service as a binary proposition, either on or off, present or completely, chaotically absent.* Very rarely in Paris does one encounter the nuanced, calibrated dynamics of places like Septime Cave, Clamato, Le Mary Celeste, or Camille Fourmont's Buvette, younger concepts by younger, hungrier restaurateurs who are now inspiring their forebears.

With Le Repaire de Cartouche Bar à Vin, Paquin proves he hasn't been snoozing for the last 17 years since he opened his restaurant. His wine bar demonstrates an awareness of all that makes Paris' other contemporary wine bars great: a small, responsive menu of shareable items, a long, cornered bar you can actually use, an open door to the street for standing and smoking. But Le Repaire de Cartouche Bar à Vin has three striking advantages over the others: Rodolphe Paquin himself, his bistrot's national-treasure wine list, and his lauded terrines, which latter are among the greatest examples of France's original bar food.

the decline of : la régalade, 75014, 75001, and 75010

I recently called Nicolas Lacase's 10ème Bistro Bellet "a giant defibrillator for the bistrot genre." So it behooves me to explain why I felt the bistrot genre needed resuscitation. Handily, recent visits to the three locations of chef Bruno Doucet's atrophic La Régalade empire have furnished me with exhibits A, B, and C.

The original La Régalade was founded by chef Yves Camdeborde in 1992 at the far border of the 14ème arrondissement. In its day it was ground zero for the bistronomie movement, in which disaffected young chefs were leaving Michelin-starred kitchens and opening simple bistrots where their gastronomic talents could shine at lower price points.

In America, where we tend to class eating establishments all together as restaurants, encountering gastronomy in a bistrot doesn’t scan as such a big deal. The closest American analogue to the shock of “bistronomie” in French culture is probably that moment in the mid-2000’s when, in certain US cities, it became possible to dine very well from food trucks. But where, just a decade on, most savvy diners I know have all grown quite tired of food trucks (except when drunk), Paris after two decades continues to unthinkingly congratulate any classically-trained chef who deigns to cook without the aid of chandeliers. (C.f. the overrated Restaurant Pierre Sang Boyer in Oberkampf.) The still-successful La Régalade restaurants, collectively, comprise the sacred cow of a bistronomie nostalgia cult, whose membership includes throngs of uncritical diners as well as most of the city's established food critics.

So let's get the knives out, shall we ?

save japan: hirotake ooka at caves augé, 75008

I got a kick out of Japanese Rhône winemaker Hirotake Ooka's apron the other day at Caves Augé's Rhône tasting. What on earth can these two things have in common? Actually, I'm told Japan has a pretty thriving and enthusiastic* natural wine scene (as excellently reported here by the far-roaming and indispensable Bertrand Celce). Unfortunately, despite being half-Japanese and working for a Japanese company, I haven't been to said nation since my first and only voyage there at age eleven. I wasn't into natural wine then. 

It doesn't help that I didn't then and do not now speak Japanese. As I tasted through Ooka's wines that day we conversed in French, and the irrelevant coincidence of both being Japanese natural wine afficionados went unmentioned and probably unnoticed on his end, since physionomically I take after my Jewish mother. 

Of Ooka's wines that I've tasted, I'm most impressed by his sparkling Saint Peray. Over dinner at Vivant recently, and again at the Augé tasting, the 2006 was delicate, white-floral, and expressive, a fine example of what makes the Saint Peray appellation such an appealing corner of the sparkling wine world.