the decline of : la régalade, 75014, 75001, and 75010

I recently called Nicolas Lacase's 10ème Bistro Bellet "a giant defibrillator for the bistrot genre." So it behooves me to explain why I felt the bistrot genre needed resuscitation. Handily, recent visits to the three locations of chef Bruno Doucet's atrophic La Régalade empire have furnished me with exhibits A, B, and C.

The original La Régalade was founded by chef Yves Camdeborde in 1992 at the far border of the 14ème arrondissement. In its day it was ground zero for the bistronomie movement, in which disaffected young chefs were leaving Michelin-starred kitchens and opening simple bistrots where their gastronomic talents could shine at lower price points.

In America, where we tend to class eating establishments all together as restaurants, encountering gastronomy in a bistrot doesn’t scan as such a big deal. The closest American analogue to the shock of “bistronomie” in French culture is probably that moment in the mid-2000’s when, in certain US cities, it became possible to dine very well from food trucks. But where, just a decade on, most savvy diners I know have all grown quite tired of food trucks (except when drunk), Paris after two decades continues to unthinkingly congratulate any classically-trained chef who deigns to cook without the aid of chandeliers. (C.f. the overrated Restaurant Pierre Sang Boyer in Oberkampf.) The still-successful La Régalade restaurants, collectively, comprise the sacred cow of a bistronomie nostalgia cult, whose membership includes throngs of uncritical diners as well as most of the city's established food critics.

So let's get the knives out, shall we ?

the great american sandwich: verjus, 75001

The other day at lunchtime my colleague R and I announced to our high-pitched and highly amusing senior colleague L that we were going out to get sandwiches. As is her wont, she asked us to pick up one for her. I said no problem, I'd text her a pic of the menu.

No no no, she said, just get me jambon à l'os, with cantal...

At which point I was obliged to explain we were not going to any old interchangeable French sandwich place. R and I were going to Restaurant Verjus*, whose newly launched lunchtime sandwich program is essentially a Great American Road Trip of sandwich nostalgia. There's a slim menu of sandwiches, each named after its culinary inspiration: a pork belly homage to Momofuku's David Chang, fried chicken ode to Bakesale Betty in Oakland... It's like owners Braden Perkins and Laura Adrian wanted to adapt the Proustian madeleine to the American palate, and give their numerous expat fans something to make their hearts melt and their mouths water.

pulled up: racines, 75002

My friend L and I hadn't intended to go to Racines for lunch. We'd planned to go to Gyoza Bar, a very contemporary Japanese concept that has opened across from the pioneering natural wine bistrot. But there was a line at the gyoza place, and we were famished, and finally it amounted to a sort of pilgrimage for this natural wine afficionado to dine at Racines, a restaurant that, under the direction of its founder and former owner, serial restaurateur Pierre Jancou, did so much to promote a certain ethos of natural wine in France and abroad. 

Whether Jancou's famously combative, didactic style of hospitality is a salutary accompaniment to natural wine remains open for debate. I have some friends in the wine scene who seem permanently put off natural wine expressly because they associate it with what they consider to be poor hospitality. For what it's worth, I have the impression Jancou has mellowed since his time at Racines; at his present restaurant, the 10ème's Vivant, I've never had anything but stupendous service. If I hadn't visited Racines before this, it's because I was usually dining at Vivant.

I saw no urgent reason to visit what I presumed must be the husk of a great restaurant; to repurpose a Saul Bellow line, it felt like praying to the gods of an extinct volcano. It's part of Jancou's racket that he sells his restaurant's at the peak of their popularity, such that the best a new owner - in this case David Lanher - can hope for is to maintain Jancou's standards. On the basis of our lunch the other day, I can report that Racines still serves superb food and wine. The restaurant itself remains a beautiful, patinated space. What's missing is Jancou, whose standards - like those of any great restaurateur - are not limited to superb food and wine in beautiful spaces.

save japan: hirotake ooka at caves augé, 75008

I got a kick out of Japanese Rhône winemaker Hirotake Ooka's apron the other day at Caves Augé's Rhône tasting. What on earth can these two things have in common? Actually, I'm told Japan has a pretty thriving and enthusiastic* natural wine scene (as excellently reported here by the far-roaming and indispensable Bertrand Celce). Unfortunately, despite being half-Japanese and working for a Japanese company, I haven't been to said nation since my first and only voyage there at age eleven. I wasn't into natural wine then. 

It doesn't help that I didn't then and do not now speak Japanese. As I tasted through Ooka's wines that day we conversed in French, and the irrelevant coincidence of both being Japanese natural wine afficionados went unmentioned and probably unnoticed on his end, since physionomically I take after my Jewish mother. 

Of Ooka's wines that I've tasted, I'm most impressed by his sparkling Saint Peray. Over dinner at Vivant recently, and again at the Augé tasting, the 2006 was delicate, white-floral, and expressive, a fine example of what makes the Saint Peray appellation such an appealing corner of the sparkling wine world.