the tavel rosé of today: couleur tavel 2018

"Couleur Tavel" is an annual tasting festival held in the Gard village of Tavel to celebrate its eponymous rosé appellation. I had the pleasure of attending this July on the invitation of the Lyonnais press agency Clair de Lune. The public tasting itself, held in the warren of ancient gardens in Tavel's town center, was a labyrinthine clusterfuck, choked with giddy wandering families; it was followed by dinner at a wagon circle of food trucks surrounding a sort of dance-free dance-party, resembling a nocturnal exercise video, held in the Place du Président Leroy.

Given that the appellation comprises just 930ha, and is devoted exclusively to rosé wine, the "Couleur Tavel" event is not particularly diverse, nor does it appear to be aimed at a professional market. I was still delighted to attend, because it offered an occasion to familiarize myself with the prevailing norms of the Tavel appellation. The only Tavels I ever seem to drink are the wines of the appellation's black sheep, Eric Pfifferling, and as magnificent as his deep red rosés are, they are unrepresentative of the appellation at large.

Perhaps it is better to say Pfifferling's wines are unrepresentative of the Tavel appellation as it exists today. As I've come to understand it, a rosé wine, at the time the Tavel appellation was decreed in 1936, resembled more a light red wine than the transparent pink wine present-day drinkers have come to know as rosé. The overwhelming majority of the vignerons of Tavel, meanwhile, are producing something in-between, but closer to the latter, a watermelon-coloured rosé neither quite of the present era, nor of tradition.

n.d.p. in marseille: les buvards, 13002

For a number of reasons, only one of which was my lack of money, the Native Companion and I wound up in Marseille for a micro-vacation earlier this month.

My ulterior motive for visiting Marseille was to visit a few winemakers in Bandol, a 40 minute drive east. Her ulterior motive for visiting Marseille was it would permit her to bring her small dog. We spent one day in Bandol visiting winemakers in the company of a small dog. The rest of the time was spent failing to turn up good restaurants in sweltering late-summer Marseille.*

The one outstanding exception was Les Buvards, a ramshackle natural cave-à-manger two blocks north of Le Vieux Port. When I asked how long they've been open, raven-haired co-proprietor Laetitia Pantalacci replied, "It'll be a decade come Beaujolais Nouveau," which is about the best answer I could hope to receive. As we sat down on one of the street-facing tables, the NC remarked that she'd never heard anyone mark time in terms of Beaujolais Nouveau before. I assured her it wasn't that unusual, for a pioneering natural wine establishment.

big heart, small plates: la cave de l'insolite, 75011

La Cave de l'Insolite, my friend Michel's offbeat natural wine lair near Oberkampf, has just begun serving a tiny menu.

In proper insolite fashion, this was done with zero fanfare. Michel touched up the paintwork on the place, and threw in a few new tables. When I say 'new' in this context, it is a very relative term; regulars can rest assured that the tables are rustic and antique-seeming, and the place is still spacious, whimsically decorated, and soulful.

I passed through last Friday and lucked into a mini-tasting of the new menu with the gregarious Olivier Chabanis of Domaine des Agates, a 27ha-or-so organic estate in the center of the Rhone Valley that produces wines under the Côteaux du Tricastin AOC*.

Guillaume et Olivier

jean-luc poinsot (la badiane) tasting: le garde robe, 75001

Z, P, et M. Poinsot

On the night we attended last week's Jean-Luc Poinsot tasting at Le Garde Robe, my New Zealander friend Z informed me she had an "unusual surprise" for me. I assumed the surprise was simply that her excellent, occasionally somewhat reclusive husband P was actually going to join us for once. (P designs for Lanvin and is accordingly perpetually swamped with work.)

Although P did indeed end up joining us, it turns out she had been referring instead to a small green guava-like fruit called a feijoa, which she had been delighted to find at a market here in France, and which she placed in my hand and told me to eat later.

According to Z, everyone in New Zealand has a tree just bursting with feijoa in their back yards. I've yet to eat the thing - it seemed unripe so it's still sitting on my desk - but I really appreciated the gesture, since, as perhaps Z noticed, the guiding philosophy of what I drink and how I eat and this blog as a whole is essentially just a reverence for the native peculiarities of any given region. I'd never even heard of a feijoa.*

Anyway, all this is long preamble to why I dig Jean-Luc Poinsot's wines (thus, why me and Z and P were out that night in the first place). His strong, distinctive range could come from nowhere else on earth but  Provence - the first proof being the winemaker's exclusive use of local varietals, like the strange, scented candle-y Tibouren rosé I covered in a previous post.