the highest bidder : table de bruno verjus, 75012

A good way for a writer to earn money is to cultivate a reputation for authority on a subject rich people like. Wine and food are quite good. Things like polo, yachting, and racehorses are probably even better. All you have to do is publish a great deal on these subjects and sooner or later some organization will reward you for your apparent expertise with a sponsorship or a panel discussion or a publishing deal. Because you will have attained credibility as bait for a luxury clientele.

French food writer, blogger, cookbook author, radio personality, and now restaurateur Bruno Verjus both exemplifies and transcends this phenomenon. On the one hand, he seriously knows his stuff. His blog, FoodIntelligence, is a treasure trove of good recommendations in any price range. In his writing and in his wide-ranging interviews with chefs and artisanal food producers, Verjus evinces a passionate appreciation for, and a nuanced understanding of, the business of real food.

But Verjus is no stranger to promo work. He helps organise the Omnivore food festival. He works as an advisor to Paris auction house Artcurial and coordinated its first charity auction of gastronomic products. And with Table, his new restaurant on sleepy rue de Prague in the 12ème, he's made an ambitious play for the affections of deep-pocketed food fetishists city-wide. It's a dream restaurant for anyone who has ever cried from a balcony, "Honey, let's go bid on a wheel of 48-month parm !"

punchy: frenchie, 75002

As the NC and I left a cocktail party at Le Bal Café the other night, my friend Z, upon hearing we were meeting friends at thunderously overhyped 2ème restaurant Frenchie for dinner, warned us against ordering the ravioli. "It's like Chinese take-out," she said.

So we got the ravioli. The superfocused menu at Frenchie contains only two appetizers, not including an optional torchon de foie gras, and we were very hungry. Furthermore it didn't seem likely to be the same dish, considering Frenchie presents a market menu that changes nightly.

Later I found out Z was confused and had been talking about a different restaurant. The funny thing is, her description wasn't entirely off the mark. The ravioli we had at Frenchie was vaguely disappointing: oversauced, dissociative, layered with some uncharacteristically wan chair de torteaux. One dumpling doesn't stop the show, of course. I mention it here not as evidence against chef Gregory Marchand's celebrated skills - which were on fine display in almost all the other dishes that evening - but rather as an example of the kind of withering scrunity we're fairly or unfairly inclined to direct against any tiny bistro that, merely by doing things intelligently and with appreciable commercial panache, becomes an unbookable flaming hot destination table.