Showing posts with label concert-going. Show all posts
Showing posts with label concert-going. Show all posts
03 June 2014
rock out: la cantine de la cigale, 75018
A brief moment of on-stage banter at last Monday's Hamilton Leithauser show at La Boule Noire saw the former Walkmen singer - arguably the most compelling rock vocalist of his generation - complaining about food prices in Montmartre.
"Since when did Montmartre get so expensive?" he asked, before deadpanning, "That's what we talk about in this band."
In the audience my friends and I exchanged shrugs. Where had he gone to eat?* From my perspective, it's never been easier to get an inexpensive quality-conscious meal in Montmartre. The quiet side of the hill boasts excellent pizza at Il Brigante, while the upper slopes of rue des Martyrs are home to Miroir, a totally solid natural wine bistrot. An incongruously good natural wine magnum list is just south of there at the otherwise dire Hotel Amour. And right down the road from La Boule Noire is Le Petit Trianon, which as far as concert-venue cuisine goes, is bested only by Basque chef Christian Etchebest's La Cantine de la Cigale, which is even closer, and even better value for money. It was, oddly, deserted after Leithauser's performance, which either indicates that his fans have no taste, or that I have entirely forgotten what it's like to be a young concertgoer more in love with music than eating well.
29 August 2011
credit sort of due: le petit trianon, 75018
The Native Companion and I joined some restaurateur and bartender friends at a competitive coffee event in the 17ème the other evening, and the plan afterwards had been to all pile into a natural wine bar around the corner, six or seven of us, possibly more. The plan foundered, however, when said bar turned out to be closed for vacation, and we found ourselves all shanghaied in the sleepy 17ème, caffeinated, sober, and starving, at close to 10pm on a Monday night in midsummer.
Sitting on the curb outside the shut wine bar, our options seemed limited to beer and kebabs, or just cursing the city and giving up on the evening. The latter is a particularly galling end to a night-out when it comprises one of two nights-off per week, as is restaurant industry standard. It explains our unanimous assent to our friend J2's heavily qualified proposition to check out Le Petit Trianon, the maniacally overpackaged, seven-day-a-week, practically-all-hours bistro attached to Le Trianon, a concert hall near Anvers.
As we hailed cabs, J2 was repeating, "If it's good, I take all the credit. If it blows, we knew it all along..."
23 February 2011
galaxie 500 & romorantin: au nouveau nez, 75020
Well, it wasn't precisely a pairing. My friends and I were pre-gaming at Au Nouveau Nez on the way to Saturday's Dean Wareham show, where the songwriter was slated to play only his classic late-eighties / early-nineties Galaxie 500 work. I'd arrived early, a lucky thing, since it's my unavoidably antisocial habit to lose myself in perusal of any wine selection for upwards of fifteen minutes before any drinks get poured.
Au Nouveau Nez 20ème proprietress Agnès and I got to talking about the wines of the Courtois family: a range of biodynamic Loire wines from Sologne, mostly field blends, mostly Vin de Tables, all labeled according to who in particular made the wine: Claude, le pere, or his son Julien, or his other son Etienne. Agnès, her partner Nadine (who runs the Au Nouveau Nez in the 11ème), and I had all recently tasted many of the Courtois' wines at the La Dive Bouteille tasting in Saumur, and we all left with different favorites.
Nadine preferred the reds. Agnès and I preferred the whites - almost to exclusion, in my case. (The reds, while sturdy and honest, strike me as slightly muddy and unfocused.) Nevertheless we were all charmed by the style of the Courtois clan in general, which, like Dean Wareham's old band, rests on an exotic tension between the maximal - everything-but-the-kitchen sink grape blends, numerous cuvées, Galaxie 500's arena-sized reverb - and the minimal, as represented by the simplicity and coherence of the results, the vinous equivalent of Wareham's two-chord homages to Lou Reed.
Labels:
75020,
90's shoe-gazer rock,
concert-going,
loire,
romorantin
16 December 2010
proper pre-gaming: au nouveau nez, 75020
Wait, you say. Didn't he already post about Au Nouveau Nez a few months ago? It sounded like a nice tiny cave à grignoter.*
This is the other location. There are key differences. Foremost among them the other night was the proximity of this location to a 20ème concert venue, La Flêche d'Or, where my friend H and I were planning to see Brooklyn dream-pop band Twin Sister later that evening. La Flêche d'Or doesn't sell tickets in advance, and since Twin Sister are one of just a few contemporary groups that genuinely interest me, I had been somewhat anxious about arriving early enough to get tickets.
That proved unwarranted, since in the end the place was half-empty. But it did give H and I a fine excuse to check out l'autre Nez, where we caught up about his eBook company over a relatively recent - 2005 - bottle of Matthieu Coste's brilliant biodynamic Côteaux Giennois Gamay, "Biao."
Labels:
10's dream-pop,
75020,
caves,
concert-going,
gamay,
loire
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