n.d.p. in lyon: brasserie georges, 69002

To recommend a restaurant on the basis of anything other than food, service, or wine has always seemed very foolish, like recommending a tailor because he plays excellent piano. I still recall my revulsion when upon arriving in France in 2009, an acquaintance took me to Derrière, a Paris restaurant famous for containing, in a rear space accessed through a Narnia-like wardrobe door, a sort of playroom, replete with ping-pong. What are we, I thought, children at a birthday party?

Yet I will profess that, during visits to Lyon over the past two years, among my most moving dining experiences has been at Brasserie Georges, a vast, ancient institution where the charm is mostly historical. The food - a solid impression of traditional dishes of Lyon and Alsace - and the wine - a safe selection of mostly reputable conventional estates - are both remarkable only for a restaurant of Brasserie Georges' immense size. It measures 667m2; seven hundred guests can be served per service.

Restaurants on this titanic scale tend to make one feel like a cog in a large machine. The nostalgic triumph of Brasserie Georges is to hark back to an early-modern era when large machines, and even sensations of anonymity, were novel and inspiring. The restaurant was founded in 1836 - the time of Baudelaire - but there is a distinctly Futurist zing in the air. Seated in the reverberating bustle of Brasserie Georges, one feels suffused with a strange hope, resembling the exhilaration of a Hollywood villain expositing over the loud, steady construction of his doomsday device.

not drinking poison in nice: la merenda

The Native Companion and I were in Nice for New Year's. Before we returned to Paris I was able to convince her to submit to the rigmarole necessary to assure a lunch table at La Merenda, the city's most storied address for traditional Niçoise cuisine, run since 1996 by chef Dominique Le Stanc. 

La Merenda famously has no phone, so one must personally pop by to request a table later in the day. As it happened our agenda that morning consisted of wandering aimlessly around the port, so this fit right into our schedule. The restaurant's popularity far exceeds its tiny space, however, and tables were understandably slow to turn that day. We had to circle back round twice after the appointed time came and went. 

I didn't mind. I was enchanted the moment I laid eyes on La Merenda's sparse menu, scrawled on a blackboard posted to its frosted windows. If menu writing is a kind of literature, Le Stanc's menu at La Merenda possesses the hymn-like simplicity of Kafka's shortest works - "The Wish to be a Red Indian," perhaps. In the space of one sentence, Kafka proposes a subject before shearing it away in stages, until nothing remains but a profound absence. All the daily repetition of kitchen work and the generational repetition that has yielded traditional cuisine - all that absence of novelty - is contained on La Merenda's blackboard. The rarity of such a statement - anywhere in the world, let alone breezy, tourist-stricken Nice - gives La Merenda a curious power. At lunch, one can even overlook the dismal wine selection. 

sancerre bike trip: le square, cosne-sur-loire

Cosne-sur-Loire is not the most exciting place on earth. It's where life goes on surrounding Sancerre tourism. But it's also where many visiting wine guys stay. So I thought for sake of completion, after my laudatory post on Cosne's lone terrific restaurant, it would worth mentoning also Le Square, which is Cosne's most accessible and convenient restaurant.

No, the wine's no good, and service veers from welcoming to furious according the whims of whoever's working. But there's a lovely terrace on, yes, a square, and as long as you bring enough mosquito repellent it's a lovely place for dinner in Cosne on a Sunday night, when, as far as dining options go, the alternative is noodling for catfish in the nearby river.

flock here: the green goose, 75011

It goes without saying that Irish culture doesn't lack for originality or regional nuance. But a history of economic subjugation and misfortune has resulted in narrowly controlled industries of some of Ireland's most famous products, like whiskey and stout.  The virtual monopolies of Guinness-Diageo (Guinness, Bushmills) and Pernod-Ricard (Jameson, Power's, Paddy's, Green Spot, Redbreast...) in these markets enforce a sameness in Irish pubs. For evidence, look no further than the template for potential pub owners called the Irish Pub Concept, codified by Guinness Brewing Co. in 1992 and still in circulation today.

Given the structure of the industry, I consider the opening of an original, characterful Irish pub anywhere a relatively courageous act.

To open one in Paris, a desert of decent pints, as Kieran Loughney has just done with his 11ème arrondissement gastro-pub The Green Goose, is almost heroic. There's not a Guinness or a shamrock in sight in the lovingly recreated Dublin-style wooden space. Instead he offers, every day of the week, a solid pub menu, every insanely underrated O'Hara's beer on tap, and the inimitably frank hospitality of a proper Irish pub.

somm needed? : restaurant roca, 75017

The friends I brought to Roca during Fashion Week probably thought I was taking them to Beauvais Airport. The restaurant, a charming if somewhat faceless contemporary effort by Julien Ross, a cousin of the owner of 10ème arrondissement middleweights L'Office and Le Richer, is not situated in the pleasant, blithely unworldly Batignolles segment of the 17eme arrondissement. It's situated in the armpit thereof, just a stones throw from the peripherique.

In any other quartier, Roca would be raking it in. Chef Alexandre Giesbert, formerly of Le Richer, cooks precisely what Parisians wish to eat these days: sweetly accessible variations on menu staples, finessed to a sheen and enlivened with the odd exotic ingredient (seaweed tapenade, kumquat). Prices are extremely reasonable.

But Giesbert's cuisine is hobbled by the restaurant's far-flung location, and an almost punitively boring wine list. I nonetheless quite enjoyed our meal at Roca. Where ordinarily I'd loudly proclaim that the restaurant needs a sommelier, I find myself torn. Because our server that evening at Roca did something no sommelier in Paris has, to my knowledge, ever done: he promptly agreed that my first bottle of Marsannay was corked, and fetched another bottle without debate.

glory days : artisan, 75009

When a restaurant or bar really blows me away, I think I instinctively look for ways to compare it to Bruce Springsteen. It's just a habit I've developed. But I think the analogy is for once justified in the case of new 9ème bar-of-all-trades Artisan.

It's an appealingly under-designed space with a big broad bar, competent cocktails, decent beer, not enough wine, and an astonishingly successful menu comprising miniaturized version of French classics: roast lamb shoulder, steak tartare, etc.

In much the same way that Springsteen's songwriting, while rarely credited with the originality of peak-era Dylan, pleases both in spite and because of its predictability, so too does Artisan's careful craftsmanship draw cheers without being the least bit innovative. In fact, that's what I like best about the place.

ma dai ! : procopio angelo, 75010

There would not, initially, seem to be much purpose in my writing anything at all about Procopio Angelo, the eponymous restaurant of a popular Tuscan chef in Paris, once based on rue Faubourg St. Honoré, now transplanted to a back road near Colonel Fabien in the 10ème. Procopio's Italian wine list is representative of the genre as one typically encounters it in Paris: a seeming panoply of regional wines, which upon closer inspection turn out to comprise little more than the diverse ranges of a few titanic producers of supermarket wine. Then you have poor Marco Parusso's decent if overmodern Barolos - always the current vintage - sitting there like duck-decoys for the big spenders who stray in.*

But Procopio keeps cropping up in any discussion of Italian food in Paris. No less than two friends whose culinary opinions I otherwise respect have proposed his restaurant to me as an example of "real Italian."

Sociologist Peter L. Berger famously argued that reality itself is a social construction, an interwoven fabric of institutionalised social perceptions. Procopio Angelo is real Italian cuisine, if, like many Paris diners, one disregards the last twenty years' of Italian restaurateurism and continues to define Italian cuisine in opposition to the technique and complexity of a serious restaurant.

n.d.p. in milan: il kiosko

My visit to Milan this past spring was so cursory that it should not reflect poorly upon the city's dining scene if I say that my best meal there occurred on a traffic island.

Il Kiosko is what it says it is: a kiosk selling fish in the Piazza XXIV Maggio. In addition to supplying home chefs, Il Kiosko serves fritto misto and crudo fresh from the riviera to the aperitivo crowd around the canals. There are high tables, and benches if you arrive early enough. If you can ignore the car exhaust, it's a very inviting place to snack.

I'd suggest the car exhaust even adds something - an enlivening contrast to the sterile environments in which one customarily consumes raw fish. I can report that my friend M and I definitely felt like righteous urban pre-Prometheans, standing there on the curbside, tearing into the raw slivers we'd just seen nicked from the belly of the whole damn fish.

summer vacation

For various reasons, updates will be sporadic for the next week or so.

I'll eventually post a few musings on Greek wine, should find I any wine on this island...

assimilate this: guilo guilo, 75018

I would have some real thinking to do, if in the future I am ever given the choice between dining at a Japanese restaurant in Paris and committing seppuku. Which, I shall have ask myself, will be more painful? Or is the latter sort of inevitable, as a method of saving face after the shame of the former?

My experiences with Japanese food in the City of Light have run the gamut from grotesque - the gnarly bentos for sale on rue Saint Anne, with their unidentified fried objects atop shoe-sized rice wads - to dispiriting, as in the rapacious and tasteless stylings of the Issé group, who specialise in marking up much the same Far East paraphernalia as everyone else, only much further.

Until recently I held out quite a bit of hope, thinking that perhaps all the Japanese restaurants I'd tried in Paris had, despite their most ambitious efforts, simply not been expensive enough. But this past women's fashion week brought with it the occasion to visit Guilo Guilo, a somewhat pricey spot in the 18ème renowned for its tough reservations and the seasonal innovations of its chef, Eiichi Edakuni, who somehow simultaneously maintains a successful restaurant in Kyoto. I say "somehow" because I left Guilo Guilo with the impression that Edakuni's chief innovation there is not his food, which is unmysterious and delicious, but rather his aggressive rudeness and bald unprofessionalism, traits which I can't help thinking would only be tolerated by a French audience who, wowed by Japophilia, have been too quick handing out the Genius Card That Excuses Everything. (Polanski has one, too.)

nightclub wines: silencio, 75002

To my mind the only truly mysterious aspect of David Lynch's new Paris nightclub Silencio is that the bar is the size of a coatcheck.

The space - what I saw of it the other night was a tangle of corridors, a smoking room, and a dance floor - totals 650m2. The result of this size discrepancy is that all the poor punters who succeed in gaining entry (a feat which it turns out can be achieved by simply being young and decent-looking and waiting for ten minutes*) have plenty of time to discuss the conventionally overwrought décor, as they wait eternities for drinks from the psychotically overworked bartenders. Was it really done by David Lynch? Who the hell remembers what the club in Mulholland Drive looks like? Why should being an excellent film director have any bearing whatsoever on the skills required to design a successful nightclub?

Presumably in efforts to minimise waits, Silencio is equipped with a second bar, tucked away in the corner overlooking the dance floor. This bar, however, is completely deserted, because it is the wine bar, replete with eight or ten selections of Douchebag Reds and Predatory Whites entombed in an Enomatic wine dispensing machine. The girl working there looked like her isolation was the punishment for something - perhaps the owners' strange idea that these wines are appropriate in a nightclub setting. This begs the question, then: what would be an appropriate wine in a nightclub setting?

rien à voir avec le vin nature: la compagnie des vins surnaturels, 75006

Because one of my favorite chefs and fellow natural wine afficionados requested it, here is an attempt at a summary in French of my recent post about "La Compagnie des Vins Surnaturels," the misleadingly-named new wine bar from owners of Experimental Cocktail Club :

Voici une tentative de sommaire en français de mon récent article sur "La Compagnie des Vins Surnaturels," le nouveau bar à vin au nom trompeur, ouvert par les propriétaires de l'Experimental Cocktail Club :

Ce jeudi dernier j'était présent à l'ouverture du nouveau bar à vin des propriétaires de ECC. On me dit que c'est le résultat d'une collaboration avec quelqu'un d’un grand domaine Bordelais, et cela se ressent sur la carte du vin, qui comprend environs 200 références, dont 50% sont des Bordeaux. Bon, rien de grave jusque là - ce bar à vin est implanté dans le 6ème arrondissement, le territoire des touristes, des étudiants gâtés, et de la bourgeoisie “chichi” de Paris qui aime la ville principalement pour ses plaisirs chers et luxueux, donc il est logique de trouver une carte de vin pleine de bouteilles recherchées pour le standing qu'elles donnent à ceux qui les consomment en public. Mais pour cet endroit de luxe conventionel, qui n'offre presque que des vins conventionels, les propriétaires ont choisi le nom de "La Compagnie des Vins Surnaturels."

Sauf ignorance massive de leurs parts, il n'est pas possible de comprendre ce nom autrement que ce qu'il semble être: un essai malhonnête d’abuser des principes et des idéaux du monde du vin nature.

what's in a name: la compagnie des vins surnaturels, 75006

This past Thursday I attended the opening of a sharp nightclubby wine bar in the 6ème off the Marché Saint Germain, the new project of the enterprising folks responsible for a trio of Paris' best cocktail bars (Experimental Cocktail Club, Curio Parlour, and Prescription). Befitting the location, and what I perceive to be the increasingly profit-minded priorities of the owners, the new wine bar offers a substantial list of conventional expense-account wines: established greats, obvious classics, show-off bottles. The list contains perhaps ten recognizeably "natural" wines,* but is fully 50% Bordeaux, reflecting a partnership (I'm told) with someone involved with an esteemed Bordeaux portfolio.** 

Ordinarily I would decline to post anything on this. It is not a natural wine bar, for one thing, and additionally the Native Companion presently works for the company, creating the potential for a conflict of interest.*** But, in what I can only presume is not an error, but rather an outrageously hubristic thumb-in-the-eye to anyone who cares about or works with or understands natural wine, the owners have christened the bold new not-especially-natural wine venture "La Compagnie des Vins Surnaturels." 

It would be remiss to let this pass without comment. They seem to be asking for it.