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Chocolate & Zucchini on the crapaudine beet

rhymes with "pants"

I realized belatedly that it was a three day weekend. Like, Friday night I realized this. Since it was far too last-minute to book any really ambitious trips, the Native Companion and I took a jaunt to Reims.

Despite having lived in Paris her whole life, she'd never been, either. When I asked her why, she gave me a look of indulgent incomprehension, from which I gathered that the only reason she was even accompanying me now was she assumed Reims had some kind of significance for wine geeks.

Lunch at Bistro Henri IV, enjoyable enough. 

some burgundy lying around: spring boutique, 75001

Rue de l'Arbre Sec is, for me, the Bermuda Triangle of Paris. If I mention passing thataway to friends they seem to expect by now that I'll miss all appointments later in the evening; my whereabouts will unknown (or not so unknown) for hours. It's just that between Spring Boutique, Spring Buvette, and Le Garde Robe - all within spitting distance of each other - there's usually something going on, people to say hi to, a bevy of random Burgundy open...

And in such a manner one quick aperitif turns into a long research session involving red teeth and hasty tasting notes scrawled on the back of a tax document (not pictured). Josh at the Boutique the other night happened to have a smattering of Domaine Chandon de Briailles's wines sitting around. It's a Savigny-les-Beaune estate known as much for its gorgeous house and gardens as for its adherence to biodynamic principles. But it's important that I mention that these wines have not, at time of writing, been ordered by Spring Boutique, and are not available there. These were samples, which fact lead to a discussion of why crowd-testing sample bottles is actually a great idea - even beyond the general enjoyment it provides to a geek such as myself, passing by on a rainy night. 

big heart, small plates: la cave de l'insolite, 75011

La Cave de l'Insolite, my friend Michel's offbeat natural wine lair near Oberkampf, has just begun serving a tiny menu.

In proper insolite fashion, this was done with zero fanfare. Michel touched up the paintwork on the place, and threw in a few new tables. When I say 'new' in this context, it is a very relative term; regulars can rest assured that the tables are rustic and antique-seeming, and the place is still spacious, whimsically decorated, and soulful.

I passed through last Friday and lucked into a mini-tasting of the new menu with the gregarious Olivier Chabanis of Domaine des Agates, a 27ha-or-so organic estate in the center of the Rhone Valley that produces wines under the Côteaux du Tricastin AOC*.

Guillaume et Olivier

who wants to trade for some poached eggs?

For our staff meal after fashion week we had a choice of entrée: smoked salmon or poached eggs. Since the restaurant in question was a low-key destination for authentic French cuisine, I lumped for the eggs, thinking you can get smoked salmon pretty much anywhere, e.g. airports and nightclubs, and anyway it's overfished, etc.

But when I saw the actual oeufs poché I thought I might have made a horrible mistake.

The presentation here strikes a queasy balance between the scatological and the anatomical. In addition to being a rounded nugget of suggestive size, a poached egg also has kind of a scrotal twist on top, the effect of which is greatly heightened when you place two of them side by side, as here. Now imagine half the staff of a fashion company, whoever didn't order the smoked salmon, grinning uncomfortably, all thinking the same thing.

Happily, it was delicious. The sauce was red wine, bacon, and probably the entire day's steak drippings. You just needed a little bread to soak things up.

jean-luc poinsot (la badiane) tasting: le garde robe, 75001

Z, P, et M. Poinsot

On the night we attended last week's Jean-Luc Poinsot tasting at Le Garde Robe, my New Zealander friend Z informed me she had an "unusual surprise" for me. I assumed the surprise was simply that her excellent, occasionally somewhat reclusive husband P was actually going to join us for once. (P designs for Lanvin and is accordingly perpetually swamped with work.)

Although P did indeed end up joining us, it turns out she had been referring instead to a small green guava-like fruit called a feijoa, which she had been delighted to find at a market here in France, and which she placed in my hand and told me to eat later.

According to Z, everyone in New Zealand has a tree just bursting with feijoa in their back yards. I've yet to eat the thing - it seemed unripe so it's still sitting on my desk - but I really appreciated the gesture, since, as perhaps Z noticed, the guiding philosophy of what I drink and how I eat and this blog as a whole is essentially just a reverence for the native peculiarities of any given region. I'd never even heard of a feijoa.*

Anyway, all this is long preamble to why I dig Jean-Luc Poinsot's wines (thus, why me and Z and P were out that night in the first place). His strong, distinctive range could come from nowhere else on earth but  Provence - the first proof being the winemaker's exclusive use of local varietals, like the strange, scented candle-y Tibouren rosé I covered in a previous post.

riesling & rice vinegar: alsace-japon dinner

My friends M and H and I were even to the very end unable to decide on a catchy name for the Alsace-Japanese-themed dinner we hosted at my landlady's place the other night. The idea was to serve my friend M's stunning Japanese / Chinese home-cooking with a range of interesting Alsatian bottles, whatever we could turn up on a week's notice. The theory being that these are the type and quality of wines that I wish were available in great Asian restaurants, but which very rarely are.

I suggested we call it the "Axis Powers Dinner," but the idea was rejected on the grounds that Alsace isn't really Germany, Italy wasn't involved in our dinner at all, and then, of course, general tastelessness.

But I'm proud to say that even without a good title, we managed to stay admirably on-theme throughout the night's drinking, with the exception of a tremendous 1997 Georges Vernay Condrieu that my friend J brought, for which we had no choice but to, er, forgive him. Due to recent interruptions in Paris wine deliveries caused by a late Alsace harvest this year, it had actually been surprisingly difficult to find anything particularly special from the region - so after numerous slender just-pleasant base bottlings from Stentz-Buecher, Binner, Kreydenweiss, etc., the persistent, savory-honey, beeswaxy Condrieu hit with all the force of a A-Bomb. (Sorry.)

M's amazing hand-drawn menu sketch after the jump.

french landlords

... Don't always have you over on Friday afternoons for a bottle Arbois* and home-made foie gras.

I'm just extraordinarily lucky in this regard. My landlady and her husband are, in addition to being hugely generous and very patient about the rent, both legendary gourmands. We throw dinners now and again. They are a large part of the reason I feel so at home here.

*Some 2006 "Tradition" (Chardonnay / Savagnin) by Les Caves de la Reine Jeanne, Stéphane Tissot's négociant side-project. Light for it's type, a bit brief, good afternoon wine. Went nicely with some peppered aged pecorino we had afterwards. 

surrealist chardonnay: twin peaks & côtes du jura

Watching Twin Peaks twenty years on, I'm still continually struck that anything this surreal and perturbing was ever shown on network television. The only contemporary equivalent that I can think of is Fox News, which for various reasons is not a fair comparison. The surrealism permeating Twin Peaks is not circumstantial, nor is it entirely played for effect; it is instead a kind of setting, a place the characters inhabit. And each time we're tempted to read the general strangeness as commentary on Twin Peaks the town, on small-town nowhere America, some bizarre character from the outside world arrives - e.g. Agent Cooper, Agent Albert, Judge Sternwood - bearing the implication that the surreal is universal.

That being said, if the town of Twin Peaks were in winemaking France, I have a feeling it would be located in the Jura, a region northeast of Burgundy in eastern France, abutting Switzerland, where some of the world's strangest Chardonnays are produced.

guts & daring: le bal café, 75018

I mentioned it before, in my post on the 19eme's Quedubon: it takes guts and daring to open a great restaurant in an unlikely locale. Contrary to the rosy views of Paris and its dining scene held by those not living here, the City of Light can actually be pretty discouraging of innovation, deviation from the norm, newness in general. (This goes beyond the gastronomic; it is a kind of national attitudinal malaise that is too insidious and pervasive to go into here.) So I'm just dumbstuck with admiration at the courage of my friends Alice and Anselme, who've recently opened Le Bal Café, a St. John-inspired musuem café / restaurant just off the Place de Clichy, an area whose fame derives primarily from the plethora of sex clubs located just to the east. 

I passed by the other night with some friends after a concert, and was happy to see the Le Bal Café still half-full, even late in the evening. I imagine the place will fill up further once word gets out on how screamingly reasonable their prices are. 

vitello tonnato revulsion

I suspect the chef behind this plate presentation was either insane, or morally opposed to the consumption of veal:

I really dig a good vitello tonnato. It's admittedly not the prettiest dish, often winding up a little grey and flat. But in this case, since the champignons de Paris don't really add much to the flavor, I have to assume they were chosen for their visual effect, which, alongside the fleshy veal and the yellowish tonnato sauce, practically screams "severed ears." It's pretty lurid.

I won't mention the (otherwise great) restaurant it came from. And I can attest it tasted okay when you closed your eyes.

gamay, young and old

My friends and I shared a bottle of 2005 Jean Foillard Fleurie a few weeks ago at Le Garde Robe. I for one* was TOTALLY CONSUMED with curiosity, wondering how this keen, floral, graceful cru by a terrific vigneron from a famously tight vintage was unfurling, five years in.

Five years is not a long time for classic wines from stock portfolio regions like Bordeaux, Burgundy, Barolo, Rioja, etc. It's not even very long in terms of 2005 Beaujolais, which was, in general, wound like a tripwire.

On the whole though, I have the impression that Gamay's aging capacity is somewhat underestimated. I do this too, in spite of occasional evidence to the contrary. People tell me stories about tasting Morgon from the 60's, which sounds positively far-out. And I recently tasted a surprisingly spry 1998 Gamay-based Coteaux Giennois (Loire - northeast of Sancerre) called "Biao!" by an organic vigneron called Matthieu Coste, but only after staring at the entry on the wine list at Spring Buvette for 10 skeptical minutes and attempting somewhat pointlessly to interrogate the server as to the wine's continued servability.

beaune & brains: le baratin, 75020

The funny thing about pairing with cervelle de veau is, at least in my case, I'm not necessarily looking for something that will accentuate or highlight particular flavors of brain. With brain I'm actually seeking a wine that, while not totally effacing what's characterful about the organ, will perhaps sand away or obscure some of the ferrous tang that can accompany the taste of brains. 

chilling at la bodeguita, 75004

I understand, but vehemently dislike, the habit of automatically serving all white wines in ice buckets. Allowing for certain exceptions - most sparkling wines, vino verde, very hot days, etc. - I'll always insist that if a white wine is worth drinking, it's worth drinking with no more than a light chill.* So you can, you know, taste it.**

But I have to admit I smiled when, at La Bodeguita du IVème the other day with my friends D,C, E, and K, our Cour-Cheverny arrived bobbing in what appeared to be an enormous repurposed kitchen-grade tomato tin.

"he gave us the wine to taste, not to criticize"

I've always loved Jonathan Richman but I really could not disagree more with this song. What should we do then, Jojo, just guzzle it down*? What if the host was really hoping we'd have some kind of response? Maybe it was something special he or she had been saving. Furthermore, isn't an unexamined drink, like, not worth drinking?

Also, while on the subject of disagreements with Jonathan Richman, I might just go ahead and say that his concert the night before last at La Boule Noire was way too heavy on his noodley 2000's-era work, and also way too brief.

*Like the insufferable housemate in his 1992 song "You Can't Talk To The Dude."

fall wine preview tasting at spring boutique, 75001

Above are my tasting notes for the Fall Wine Preview my friend Josh hosted last week at Spring Boutique, the retail wing of Daniel Rose's mini-empire in Paris 1èr.

Public retail tastings are ordinarily kind of boring. I don't always take notes. Unless a particularly great vigneron is involved*, you often get just a thin crowd of goggle-eyed wine neophytes eagerly swirling and sniffing a range of easy-sell barbecue wines - whatever the distribution rep needed to unload on the retailer.

Spring Boutique isn't really on the same planet as that kind of wine shop. What's available here is continually rotated through the stunning wine lists at the nearby Spring restaurant and wine bar. In a previous post about the wine bar I mentioned how the glass pours there all seem chosen particularly for dramatic effect; how all of them are eminently memorable examples of their types. Same goes for the selections here. Josh and co. deserve further credit for actively seeking out interesting wines by producers that are not French - Les Crêtes, from Italy's Valle d'Aosta, and R. Lopez de Heredia from Spain, to name just two.

If you really want a blow-by-blow of the Fall Wine Preview, you're welcome to attempt to decipher the notes above. Listing wines and describing them gets a little boring unless you're about to drink those very wines, so I've tried not to structure this blog that way. I'll just mention the highlights: